Canterbury Gaming Convention - Day 2

 

Day 2 of Canterbury Gaming Convention was just as fun-packed as the first. We got to play so many awesome games and one of us even got some light strangulation from Agent 47 (check out our Instagram to find out who).

After such an eventful weekend, it's safe to say we at Hand Limit are suffering from the post-convention blue, but we're already looking forward to next year. Plus details will be announced soon but Hand Limit will be hosting our own event this coming October! Keep an eye on our socials, the blog, and our next zine issue for more details as they become available.

So what did we get up to on the final day of the convention? Well see our roundup below of the games we played!

Last Week of Summer, Shawn Holt - Allies or Enemies

Last Week of Summer was by far the standout game of the whole convention for us. So much so that I will be writing a separate full preview of it on the blog so for now you'll have to make the most of checking out their Kickstarter page, which is due to go live on 19th August.

Ages of War: Battle for the Bronze Age, Mike James - Thiad Games Ltd.

Ages of War was part of the prize bundle Hand Limit won at the Friday night Gaming Quiz so we absolutely had to check it our at the convention and we are so glad that we did.

Two players take on the roles of generals of Bronze Age armies going head to head in a game reminiscent of Summoner Wars and the Civilisation series of video games. The gameplay is incredibly smooth with minimal downtime and the rules are much quicker to learn than you would expect from an asymmetric skirmish game. We were lucky enough to be taught how to play by the game's creator, Mike James.

The units on the board are represented by cards that double as dry-wipe boards for tracking damage, which is a fun and effective design decision. On each players turn they have three actions to move units, attack, and activate the special power that comes with the faction they are playing as. 

The game very effectively provides the feeling of managing an army rather than just a mass of individual units. One of the ways it achieves this is through a mechanic that allows adjacent units to be moved or attack together as one. This effectively creates the feeling of managing a large army on the battle field and helps keep up the pace of the gameplay. 

Mike has really put the work in on making the game feel as though there is a depth to the skill required while keeping the game complexity as low as possible. Additionally, there is a great sense of rubber banding, in that as armies reduce in size it becomes easier to move them around the board. This means that the tables can easily turn multiple times throughout the game, and players always feel they have a chance to come out on top.

As a player that perpetually plays games in a way that I describe as "vibes over strategy" this is a perfect skirmish game. While there is definitely scope to implement long-game strategies, there is a lot to be said for keeping flexible and responding to the ebb and flow of the battle as needed.

Ages of War also gives a lot of flexibility as to the scale of the battle through an adjustable play space, marked out with a grid of cards, and the option to play with more or fewer units depending on what type of game the players want to play.

This game was definitely a highlight for us and we have already played the copy we won and had just as much fun. I think there is a good level of replayability with this and it will become a firm favourite in the group.

Slide, Claude Clement - Gigamic

The aim of Slide is to be the player with the lowest score at the end of the game - you do this by revealing one card at a time, swapping with other players and sliding cards back into your play area (like those picture puzzles you get in party bags as a child!) aiming to put the same numbers next to each other in order to cancel each other out (see the two pink five cards in the image). This is a quick game and probably great if you have good spatial problem solving skills!

Solstis, Bruno Cathala & Corentin Lebrat - Lumberjacks Studio

In Solstis you take it in turns to place tiles to fill a board in front of you, creating paths up a mountain and finding spirits along the way, you score points with your largest connected area of tiles, and through some of the bonuses given by spirits, as well as by finishing paths from the base of the mountain to lit torches at the top. While the card placement was unclear, and some of the rules were not clearly explained, it was a fun and quick game to play. The art style is very pleasing and the spirits are incredibly cute.

Trickerion: Legends of Illusion, Richard Amann & Victor Peter - Mindclash Games

Trickerion by Mindclash Games is an in-depth worker placement game that we were drawn to following the fun we had playing another Mindclash title, Septima, on Day 1 of the convention.

Players play as Magicians looking to raise their own fame on stage by creating and performing the most impressive magic tricks. It was compared to The Prestige by the team demo-ing the game, but sadly this comparison was lost on me as I've never read the book nor seen the film. I understand the premise though and the game provides a very crunchy experience for fans of worker placement mechanics.

Sadly I was not won over by the game, which at times felt cumbersome and long-winded. The ultimate goal was to get on stage to perform tricks, but in order to do that you must first prepare the trick backstage, but in order to do that you must first develop the trick in your workshop, but before you can do that you must learn the trick in the downtown area of the board and acquire the necessary resources from the market. And in order to do any of these things you must have been able to place your workers in the best possible locations in any of the areas. While some of the Hand Limit collective were really warming to the experience by the end of our demonstration, I felt that the game was too far removed from the pizzazz of stage magic. 

Fans of meatier worker placement games would probably get on very well with this but I found that I was left wanting more from the experience. Something with a bit of Wow to tie the mechanics into the theme. It was high strategy and low luck, which in the past has been a turn off for me. 

As with Septima (our favourite game on day 1), Trickerion is heavily stylised and has a fun, almost steam-punk aesthetic, which definitely attracted us to the game.

All in all, this game disappointed me but it clearly showed that a lot of thought has gone into its creation and I have no doubt that there are players out there who would love it for what it is.

Flamecraft: Duals, Manny Vega - Cardboard Alchemy

We are big fans of Flamecraft by Manny Vega so jumped at the opportunity to play Flamecraft: Duals, which has just ended its run of late pledges on Kickstarter.

Players take turns in drawing and placing hexagonal dragon tiles (the dragons are all familiar faces from the main game) and activating their special abilities. The aim of the game is to win the most victory points by laying tiles in the configurations specified on the town cards.

This is an incredibly simple game that is very pleasing to play. The tiles are wonderfully tactile and generally speaking the whole game speaks to a high production value. We are very much looking forward to picking this up from our FLGS on general release.

Three Kobolds in a Trench Coat, James Cooper & Harriet Rogers - FanCrafted Ltd.

With a concept as wonderful as Three Kobolds in a Trench Coat we would have never forgiven ourselves if we hadn't jumped on the opportunity to play this charming little bluffing game. 

Each player has a collection of 3 kobolds that are kept hidden from other players and must take it in turns to reveal event cards and fulfill the requirements on each card. These will sometimes be bribes paid in coin to city guards to keep your identity under wraps, or sometimes minor quests that require a kobold with sufficient skills to complete. The skills follow the same rough template as your average D&D character (strength, dexterity, wisdom, etc). The twist? You don't have to reveal the kobold that you're putting forward for the meeting, so you are well within your right to bluff when it comes to their abilities. It's up to the other players whether they believe you have what it takes, or to call you out. 

Failing these event cards usually results in losing a kobold and the ultimate goal of the game is to knock out all other players through them losing their kobolds.

While the overall production value was fairly standard, this was a fun little game and provided a lot of material for story-telling around the table while playing. If you're looking for something silly to play with friends between heavier titles, this is a good game to go with.

Final Roundup

With that Canterbury Gaming Convention drew to a close. We had an absolutely incredible time and had great fun connecting with people over our shared love of games. We also came away with quite a haul of games that we can't wait to get to the table. Including, would you believe it, a copy of Tribes of the Wind. I felt like it needed a second chance after our failed attempt to learn it on Day 1. It looks like a beautiful game with some wonderful artwork by Vincent Dutrait that definitely deserves a proper go.

Overall we played some really great games and although we didn't gel with some of them, they were all objectively good games. As with all our recommendations, your mileage may vary!

We can't wait for CGC next year and offer our hugest thanks to Darius Twyman for pulling it all together. We love the gaming community and events like this are such a wholesome environment where everyone can have such a joyous time.

If you didn't manage to attend, keep an eye on the Canterbury Gaming Convention website for news on next year's event.

Canterbury Gaming Convention - Day 1

 

The first proper day of Canterbury Gaming Convention got off to an incredible start with crowds of people turning up at opening time to get the first pick of games demonstrations. The sizable hall was filled with stalls, demonstrations, and space to play games, and there was an excited buzz from all attendees. 

Bad Trevor, Mark Hurdle - Fistbump Games Ltd.

We had a busy first day, starting with a game of Bad Trevor by Mark Hurdle, a game based on comic-book villains and heroes battling it out. Players aim to be the first to deplete their hand of cards by handing them off to players, or in the case of civilians, pairing them up and discarding them. Each turn, players present the next player with a choice of 3 face-down "attack" cards. The receiving player chooses one to keep and resolves the action stated on the card. 

Hero cards will generally be good, villain cards will generally bad, and civilian cards will clog up a players hand until they can be discarded. Of course, there is also the Bad Trevor card to contend with. Bad Trevor is a villain so foul that he is even shunned by the other villains. The only way to remove Bad Trevor from your hand is to pass it on to another player. When presenting your attack cards you can use any amount of psychological trickery to get the receiving player to take the card you want them to take, which allows for a lot of fun, underhanded tactics.

This was a great game to start the day with, and taught very well by Mark Hurdle himself. It was quick to learn, quick to play, and acted as a perfect warm up to some of the heavier titles we played. Overall it was good, silly fun and we look forward to an opportunity to play it again.

Stomp The Plank, Florian Sirieix & Benoit Turpin - Ravensburger

This was a very simple game with a straightforward push-your-luck mechanic that is accessible to younger players. Each player has an elephant that starts at the sensible end of a plank (cleverly, the box is inverted to use as the board), and takes it in turns to flip cards from a deck until they either decide to stick or they pull two cards with matching symbols. In the case of the former, they force other players to place wooden weights on the end of their planks, which are secured to the board using magnets. This adds an element of dexterity to the process as being too heavy handed placing these weights will cause the plank to flip off the ship and the elephant tumble into the briny sea. If a player should pull 2 cards with matching symbols they must end their turn and move their elephant one space along the plank, making it more likely that the plank will fall.

There really isn't much more to the game, it was simple, quick to learn, and very accessible while the push-your-luck mechanic was engaging for older players as well. It's not breaking any boundaries but we are writing this not long after playing Flip 7 for the first time, which has set a standard for simplicity in push-your-luck games such as this, so perhaps it doesn't compare well.

Faraway, Johannes Goupy & Corentin Lebrat - Catch Up Games

The third game we played was Faraway, one that I've had my eye on for a while thanks to the eye-catching art style. In Faraway, players place and draw cards to create a tableau representing your travels around the strange and wonderful world in which it is set. The catch with this game, however, is cards are scored in reverse to how they are laid, so cards placed at the beginning of the game act as commitments to meet their scoring requirements before the final tile is laid. 

I don't know if it was the way in which the game was taught but we spent our first game of this in deep confusion about how to effectively choose cards during the drafting phase. At times this lack of clarity, and lack of understanding of the various symbols and scoring requirements was downright frustrating. This frustration definitely coloured our first impression of the game and perhaps with consecutive plays we would look more favourable on it. As with some games though, I don't know if there was enough entertainment to draw me back.

That all being said, the game has some lovely artwork and the twist of scoring cards in reverse was an interesting mechanic.

Tribes of the Wind, Joachim Thome - La Boite de Jeu

This game is more of an honourable mention than an honest review as we never got past the first turn before throwing in the towel. It is a gorgeous looking game with a theme of post-apocalyptic environmentalism that really appealed to me. Sadly we pulled this out at a point in the afternoon where the heat was getting to us and despite our best intentions I don't feel this is a game that can be learned while playing. Given half an hour to just sit somewhere quiet and read through the rules I think I would be able to make a good job of teaching it to others, but with so many moving parts and rules it was just a non-starter. Perhaps we'll try again soon.

Septima, Barbara Benat & Villo Farkas - Mindclash Games

Septima, for me, was the standout game of the day. Aside from anything it's an absolutely gorgeous game with a colour palette and art style that is to die for. Not to mention the adorable meeples representing the witches and witch hunters.

In Septima, players take the role of witches looking to aid their community by gathering ingredients and making potions that will cure the ills of the local townsfolk, and saving accused witches from trial by angry mob. All this must be done without drawing too much attention to yourself, however, lest you attract the unwanted attention of the witch hunters that roam the board threatening to take witches from your coven and put them on trial, or straight out steal victory points from you.

We were lucky to have this game taught to us by a representative of Mindclash Games, which saved us a lot of work. This is a decidedly meaty experience with a lot of rules and mechanics to keep track of. It never felt overwhelming though, which some games manage with far shorter rule books. There is a nice blend of pick-up-and-deliver and bag building (this comes into play when witches are put on trial at the end of each season), which makes the game feel like a unique experience.

Septima is a long game that could easily see the back of the two hour mark with 4 players playing for the first time. But as long games go, the turns are cleverly paced to leave the minimum of downtime. 

There is also the promise of a solo-mode, which is always a draw for me (I'll always get my money's worth if I don't have to wait to get a group together to play a game).

Tomorrow - Day 2

We're really excited to go back for the second day and have already marked out a couple of two-player games that we want to give some attention to. The first, the name of which escapes me, gets players to live out their perfect summer before going away to University. The art style of this was very enticing. Secondly, we want to spend some time at the Yay Games stand, who produce Frankenstein's Bodies, Dark Harvest, The Legacy of Frankenstein (the game so nice they named it thrice), a Hand Limit favourite.

We also managed to hand out all but half a dozen of our summer zines, so we're hoping the lucky recipients are enjoying them. 

Check out our Instagram for more content as it happens.

Canterbury Gaming Convention - The Gaming Quiz

 

Well, it's certainly been an eventful start to the Canterbury Gaming Convention. It all kicked off this evening with a quiz hosted by Fantazma Gaming and That Baldy Gamer, and sponsored by Ralbru Games, and what a riotous time it was!

The quiz went on for 6 rounds that included guessing the video game music, e-sports, the history of gaming, and even a touchy-feely round. The variety of different formats was incredibly fun and the hosting was very entertaining. There was also a fantastic turn-out with over 16 different teams competing to win a huge array of prizes at the end.

The evening also had a fun twist, with each team requiring to nominate one person per round to go into an adjacent space and play a game of the charmingly named, ButtChess. This provided a unique tactical aspect to the evening as each team needed to nominate the person who would be of least help to the quiz round, lest they hinder their chances of getting the questions right.

It was our first time playing ButtChess and we were very taken with the simplicity of its draughts-esque gameplay. Players take it in turns to move their tokens across the board in an attempt to either get 3 tokens to the opposite side, or remove 4 of their opponent's pieces by jumping over them, not unlike in the game checkers.

Hand Limit was well represented with 6 of it's contingency and a varied background in table top gaming and video gaming knowledge. We played under the name Lizards of the Toast, which came from the sleep deprived brain of our most recent dad, Tom, but made us all chuckle.

And from that slightly stupid name we went into the evening not expecting to place in any position at all, but reader, we only went and bloody won! To our surprise we placed just 1 point ahead of second place and took home an amazing stash of new games for the Hand Limit library. But most importantly of all, we got badges marking us out as winners of the Canterbury Gaming Convention Quiz. 

I cannot understate the bragging rights that these badges will give us, so if you see us around the convention this weekend and want us to regale you with tales of our grand victory, be sure to stop us to say hello. And while you're at it, grab a copy of our summer zine!

If you've not got tickets to Canterbury Gaming Convention yet, you can pick them up here.

See you tomorrow for more updates!

Canterbury Gaming Convention - Session Zero

Canterbury Gaming Convention is finally here and Hand Limit got to head over the the University of Kent Sports Arena this afternoon to take a look at the set up. 

Already many stalls are set up and ready for the weekend, we even made a couple of sneaky purchases and played a couple of games. Check out our Instagram for some insight into the games that we played.

The hall is looking fantastic and it's set to be a terrific event with lots of exhibitors and games to play. Darius of Dice & Destiny, our FLGS, and chief organiser of Canterbury Gaming Convention, was in his element, confidently overseeing the set up. New exhibitors were arriving the whole time and there was a buzz of excitement and anticipation in the air.

Hand Limit will be in attendance for the whole weekend, bringing you updates on the various offerings of the convention. If you haven't bought your tickets yet, it's not to late to pick them up here.

The event will kick off in earnest tonight with the Quiz Night, hosted by Fantazma Gaming and That Baldy Gamer, and sponsored by Ralbru Games. The Hand Limit collective has already put together a team, not with the hope of winning, but of losing valiantly.

Expect further updates throughout the weekend on the blog and on our Instagram account.

If you are planning to be there, look out for us in our Hand Limit t-shirts and grab yourself a copy of the Summer Zine while they last!

We cannot wait to get our grubby little hands on as many games as possible!

Jinn's Cosy Video Game Corner – Maiden Voyage with Wind Waker

    I might be starting off my first segment of Cosy Corner with not your typical cosy game feature, but it's certainly one that I hold a lot of precious summertime memories for and it seems like a fair few people experience the same feeling given the amount who responded in excitement to my pitch for this feature.    

     Image source: Nintendo GameCube; The Legend of Zelda: The Wind Waker

    The Legend of Zelda (LoZ) Wind Waker built the foundations in my mind of what I would consider as my perfect summer video game, providing an escape to an exciting, vibrant, and whimsical world that seems to have embedded itself into my memories with picture perfect clarity.

Playing as Link, you start on a remote tropical island with a familial community (even just that brings warmth as juxtaposition from other LoZ games by providing a sense of identity and family) and are brought into the legends by way of tradition and family honour - quite different from being abruptly awoken by a high-pitched ball of light and told that you're adopted (essentially) and then immediately responsible to go save the world… That kind of feels heavy, whereas Wind Waker tackles the challenges of being a hero in a way that feels nurturing and positive, especially on young impressionable minds.

Image source: Nintendo GameCube Press Kit

    Of course, with it being a LoZ game there is combat and monsters, but I found that combat was relatively easy and uncommon outside of temples and fortresses so I spent a lot of the game running around cute tropical islands and (here comes the actual reason for this feature) sailing around beautiful blue seas and skies, treasure hunting and controlling the wind through various harmonious songs with the aid from a talking lion boat; kind of like an adventurous, puzzle-solving Animal Crossing, which given I played both on the GameCube around the same time, may have shaped my gaming preferences to be what they are now.

The cartoony animation on this game captures an essence of idyllic, simple island living, and I find myself peacefully reminiscing about the wind breeze lines, soaring seagulls, and lapping sea waves. I recall the release of Wind Waker caused a lot of stir amongst LoZ fans, some feeling that the style played too much into “childish” animation but in hindsight it was a clever decision by Nintendo to appeal to younger audiences and introduce them into the LoZ series, leading into the next generation of handheld consoles for sequels Phantom Hourglass and Spirit Tracks on DS. 

        Image Source: IGDB Wind Waker HD Press Kit

    What may have seemed like an “uncool” direction taken by Nintendo turned into an evolution of style that has kept The Legend of Zelda series unique and easily identifiable for years to come, and personally, I have really enjoyed seeing the series evolve aesthetically over time, with each game title bringing a fresh variation to the design.

Don’t get me wrong, I love the darker and classic LoZ games like Ocarina of Time (OoT) and Majora’s Mask, with my first impressions of LoZ born from watching my older brothers play both titles, and myself playing Oracle of Seasons and Oracle of Ages on Gameboy however, my initial attempt at OoT  left 7 year-old me traumatised over the Shadow Temple (those hands still freak me out) until my re-attempt a few years later, played in succession with Twilight Princess. 

Image source: Nintendo GameCube; The Legend of Zelda: The Wind Waker

    Wind Waker gave me a cheerful and happy introduction to solo main title gaming, and blossomed my confidence in fighting monsters and big boss battles. The game focuses more on providing entertainment through enjoyable puzzles and hidden world interactions, akin to Majora’s Mask enigmatic play style but with a lot less creepy and world impending doom vibes. 

All in all, Wind Waker remains a unique blend of cosy puzzle gaming with a little bit of challenge to keep things interesting and a whole world of story that can envelope and embolden players into progressing through temples and dungeons. Plus, I can’t get over the experience of the Tingle Tuner, which essentially turned a Gameboy Advance into a companion device to help guide, locate and use special items (Tingle bombs, heck yeah), allowing for a little co-op experience, which could be a game pitch in itself to Nintendo for future titles?? If someone could put me in touch, that’d be great, hah.

Now to dust off the old GameCube and fire up that tiny disc to revisit a game that has captivated me for over 20 years and relive a bit of childhood wonder.

Image source: Nintendo GameCube; The Legend of Zelda: The Wind Waker

        

Czech Games Edition and the Harry Potter Fiasco

 

It has been an eventful few days for Czech Games Edition (CGE) following their announcement of a new Harry Potter themed version of its long-running Codenames series; Codenames: Back to Hogwarts.

Following the announcement on BlueSky on 23rd July, CGE has come under fire from many trans-rights activists and fellow board game media content creators for choosing to release a game under the Harry Potter IP in 2025, the same year that the Harry Potter creator, JK Rowling, publicly boasted about using the royalties from her children's fiction empire to actively harm and campaign against trans-rights.

While there is a nuanced conversation to be had regarding the separation of the art from the artists, CGE has fallen under heavy criticism for failing to adequately engage with this dialogue. There are many ways in which people can engage with Harry Potter, if that is something they really want to do, that does not involve actively lining the pockets of a transphobe who is explicitly using the proceeds to attack one of the most marginalised communities in the world.

Initially CGE responded to the backlash by releasing a statement that many felt fell short of a proper acknowledgement of their concerns. 

As part of the statement they said, "The vast world of magic featured in the upcoming Codenames has been a source of inspiration... 

"We know many people around the world share the same sentiment about this universe, even among those who have been hurt by the public views and actions of its creator. 

"Deciding whether those feelings should also transfer to the once-beloved world is up to everyone, and we fully respect and understand those who do not wish to engage with this game...

"As this is an ongoing conversation, we encourage everyone to approach discussion with care, empathy, and respect - both online and in person."

This statement failed to even provide the space for this "ongoing conversation", however, as comments were quickly turned off following an influx of accounts commenting that the company should do better than this half-hearted response.

A flurry of table top content creators has already vowed to boycott CGE titles until they address the transphobia inherent in releasing HP licenced material. Tom Brewster, editor in chief of Shut Up & Sit Down, told BoardGameWire that he fails "to see Harry Potter: Codenames as anything but a soulless cash grab that's tremendously insulting to the trans folks JK Rowling has been trying her best to oust from public life."

A full account of the various big names that have joined this boycott can be found on BoardGameWire.

As of 31st July, CGE has released another statement:

"We're grateful to everyone who engaged with us over the past few days and took the time to share their perspectives.

"At CGE, our aim was never to cause harm, and we acknowledge that, with our recent Codenames announcement, we have. We are working hard within our constraints to find the best way forward and we will update you as soon as we can.

"We understand that what we have done has caused distress, and are working towards a concrete solution with several members of the affected communities.

"Please bear with us as we figure this out."

It is not yet known how this statement will affect those who have already promised to boycott CGE titles.

Since the release of this second statement, there has been a deluge of JK Rowling apologists commenting in support of CGE and labeling the voicing of concerns for the trans community as "bullying". Let us be clear here, consumer criticism of a company for harmful decision making is not bullying. It is the right of everyone to stand up for their morals and it is impossible for a company to be bullied into reversing a decision such as this. Bullying has a clear dynamic of power imbalance that consumers do not have over corporations in a capitalist society.

Hand Limit promotes inclusivity in the table top community and has already made the decision not to cover any Harry Potter related titles. However, until CGE provide the community with a clear route forward, we have made the decision to remove Codenames from one of our upcoming features.

We believe that it is possible for art to be separated from the artist (case in point: the work of HP Lovecraft), but money cannot be separated from the bank account of someone who seeks harm to our friends in the trans community.

Trans Right Are Human Rights.

Finally Played: Spirit Island

 Despite having been into table top gaming for a while now, there are a few games that always surprise people when say that I've never played them. These games are modern classics, staples of the table top scene, that almost any board game fan would usually have played early on in their gaming journey. 

In this new series, I am aiming to put that right and get as many of these games to the table as possible. Many are considered entry-level games for those new to the hobby, so will they stand up to someone coming at them from the other end of the spectrum?

Kicking off this series I sought out Spirit Island by R. Eric Reuss. While this isn't often considered a starter-game, it is widely regarded as a modern classic so it surprises me that I'd never had the opportunity to play it. 

Spirit Island, R. Eric Reuss - Greater Than Games

Spirit Island is a cooperative, anti-colonialist game. Players take the roles of the eponymous Spirits to defend the island from destructive colonisers and protect the indigenous population using their mystical powers. The spirits powers range from outright destruction to moving the enemy colonisers around the board, making them easier targets for other players. 

Each round consists of players levelling up their spirits, choosing actions, and then playing them out either before of after the colonists depending on the speed of the action. On the colonisers' turn they explore, build, and ravage different sections of the island, expanding their presence or spreading blight. The amount of blight dictates the overall health of the island and is difficult to remove. If too much blight is placed, the island becomes irreparably damaged, implying that even if you are successful in repelling the invaders, it comes at a cost.

Building on the narrative of the cost of removing the colonists, is the progression of the spirits themselves. As they level up they gain access to more and more powerful actions, which soon start to include negative effects as well. Yes, you can remove all the towns and cities from a space on the board, but you also must place a blight, or you destroy all the natives while you're at it. This helps establish a nuanced story in the course of play that really highlights the short and long term impacts of colonialism on native populations. Even if they are successful and manage to defend their island, it comes at a cost that they will be dealing with for years to come.

The game tells the story of invasion in a way that doesn't hold any punches. Players will start out feeling like the underdog defenders and it's easy to become overwhelmed by the sheer amount that is going on on the board. At the start of the game, the spirits are weak and ill-equipped to deal with the growing problem, but as they grow, more interesting and useful powers are unlocked. Through this progression players find their feet little by little and learn how they can work together to make the most out of their actions. The game is undeniably hard, but in an historical sense, it needs to be. It would be unfair on real-world indigenous populations if repelling colonisers was portrayed as something straight forward or easy. That being said, it did at times feel like the indigenous people, the Dahan, lacked agency and were a passive entity on the board, waiting for the spirits to deal with their problems. 

The game itself is a mixture of strategy, area control, and deck building, all of which are fairly well executed. There was also a satisfying crunchiness to the amount that was going on on the board. There's a lot of game here to sink your teeth into.

That being said, I found myself slightly underwhelmed with the game as a whole. The gameplay often felt a bit clunky and I found that as a new player I was getting frustrated at how difficult it was to take meaningful actions on my turn. There is definitely a high amount of strategy needed and there is very little luck involved. Personally, I like games to have a degree of chance to be truly engaging, and I think that Spirit Island is missing this. The only real element of the game that was left up to chance was which environments would be targeted by the colonisers, but as they were constantly all over the board anyway, it felt like everywhere was constantly under attack

The game generally has a nice art style, portrayed on the player's spirit boards and action cards, but I feel it is let down by the board itself, which looks fairly bland, even when covered with tokens and counters.

Overall, I can completely understand why this game is as popular as it is. There's plenty of scope for improving your skill and strategy on consecutive plays, learning how the game wants to be played. For me, however, the fantastic theme and mostly good artwork failed to stick the landing when it came to gameplay. I never felt like a mighty spirit of nature. More accurately, I felt a little lost and confused. Perhaps it was because we were all new players, but it didn't flow in a satisfying way and at times felt downright messy. I love the theme and would like to see more anti-colonial games, but I don't think Spirit Island is for me. It's possible that with more plays I would learn to love it, but I just don't know if there is enough there to draw me back in. Call it a skill issue, if you will, but the game failed to draw me in.

Regardless of my feelings, I am pleased to have finally managed to sit and play this game.